In 1976, Jessie Singer Sylvester is 76 years old. She lives alone and leads a simple, quiet life. Jessie's world is small. She lives in an apartment in Brooklyn and takes daily walks to the supermarket. Her concerns are that bread has gone up 4 cents and that she has to climb over snowbanks with her cart. She polishes the furniture, listens to the radio and looks forward to the spring.
What remains in life when we look back? I have the suspicion that, ultimately, what will stay with us are not achievements and success but a certain way the light fell through the kitchen window when we were little. And when our loved ones are gone and we think of them, what we remember forever may be how they dusted the plants or the way they smiled at us.
It is these simple things this film is about.
Ragnar Freidank (Director/Screenwriter) makes his feature directorial debut with Beautiful Hills of Brooklyn. As a stage director, he has worked in New York, Connecticut and Germany, and his credits include productions of Between Worlds, The Pleasure of Seeing Her Again, The Stronger, Oscar und die Dame in Rosa, Monsieur Ibrahim und die Blumen des Koran, Waiting for Godot, I Have Never Been Here, and Uncle Ethan Ripley.
He began his career as a performer, receiving his MFA in Acting from the Conservatory of Music and Theatre in Hamburg. He was awarded a scholarship to study the Michael Chekhov technique in New York, which led to a long association with The Actors' Ensemble. In addition to his theatre credits in New York, Mr. Freidank has worked as an actor in Germany, as well as in Budapest, London and Stockholm.
Mr. Freidank also teaches at the Graduate Acting Programs of Columbia University and the New School. He has been invited to teach workshops in both academic and professional venues across the country and internationally, ranging from Sarah Lawrence College and Brandeis University to The Eugene O'Neill Theatre Center's National Theatre Institute in Connecticut and The Actor's Center in Rome.
He continues to work closely with MICHA, the Michael Chekhov Association, and has taught at numerous Teacher Training Workshops and International Conferences in the United States and Europe. The project marks his second collaboration with Joanna Merlin, cinematographer Edward Marritz and editor Bob Jorissen. They worked together on the acclaimed NEA-funded series, Master Classes in the Michael Chekhov Technique, on which he served as Co-Artistic Director with Ms. Merlin.
Joanna Merlin (Jessie/Screenwriter/Producer) made her Broadway debut opposite Laurence Olivier in Becket, created the role of Tzeitel in Fiddler on the Roof, and has appeared extensively on the Broadway stage as well as in off-Broadway and regional productions. Her film credits include Invasion, starring Nicole Kidman, and co-starring roles in City of Angels with Dennis Franz, Class Action with Gene Hackman, Mystic Pizza with Julia Roberts, Fame, All That Jazz, and The Killing Fields. She was most recently onscreen in 2008's The Wackness, which won Best Picture at the LA Film Festival and the Audience Award at Sundance. Among her many television appearances, she co-starred in HBO's Witness Protection and has a recurring role as Judge Lena Petrovsky on Law and Order, Special Victims Unit.
As a casting director, Ms. Merlin is the recipient of two Casting Society of America Artios Awards for her work on Bertolucci's The Last Emperor and Sondheim's Into the Woods. Her film credits as a casting director also include Year of the Dragon, Big Trouble in Little China, and Merchant Ivory's Mr. and Mrs. Bridge, as well as the U.S. casting for their films Jefferson in Paris and Surviving Picasso. As casting director for Harold Prince, she cast the original Broadway productions of Sondheim's Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd, and Merrily We Roll Along, as well as Evita and On the Twentieth Century.
Ms. Merlin is the President of the Michael Chekhov Association, a co-founder of the Alliance for Inclusion in the Arts (formerly the Non-Traditional Casting Project), and a former member of the Tony Awards nominating committee. She is a faculty member at the NYU Graduate Acting Program at the Tisch School of the Arts and teaches regular workshops at the American Conservatory Theatre, and the Manhattan School of Music. Her book, Auditioning: An Actor Friendly Guide, was published by Vintage and is in its eighth printing.
Ellen Cassedy (Playwright) connects the stories of ordinary people with social issues as a speaker, non-fiction writer, and playwright. She won a Moondance Festival Award in 2002 for her play, Beautiful Hills of Brooklyn, upon which the film is based. Ms. Cassedy was a founder of 9 to 5, the national association of working women that inspired the film Nine to Five, starring Jane Fonda, Lily Tomlin and Dolly Parton. She is the author of three books and a contributing writer to Hadassah, The Forward, and other publications. She is a frequent and popular speaker, sharing the story of her great-aunt's diary and encouraging dialogue about the ways in which individuals and society can respond to the unique needs of the elderly with greater insight, compassion and caring.
Bob Balaban (Executive Producer) was a multiple-Emmy nominee in 2008, including Best Director, for HBO's Bernard and Doris, starring Ralph Fiennes and Susan Sarandon. He also received an Emmy nomination for Best Supporting Actor for his performance in HBO's Recount. In 2001, he received a Best Picture Academy Award nomination for his production of Robert Altman's ensemble murder mystery Gosford Park, the critically acclaimed film in which he also costarred. An accomplished stage, screen and television actor, he received a Tony nomination in 1979 for his Broadway performance in The Inspector General. Mr. Balaban's extensive feature credits include all of Christopher Guest's films: Waiting For Guffman, Best In Show, A Mighty Wind, and For Your Consideration; Miami Vice, Absence of Malice, Bob Roberts, Deconstructing Harry, The Majestic, Lady in the Water, Parents, Close Encounters of the Third Kind and Whose Life Is It Anyway? He made a cameo appearance in the Oscar nominated film Capote. He made his screen debut in the Academy Award winning Midnight Cowboy opposite Jon Voight. His directing credits include Showtime's The Brass Ring and the television series Tales of the Darkside and Amazing Stories. His feature directorial debut was the black comedy Parents, followed by My Boyfriend's Back and The Last Good Time.
Edward Marritz (Cinematographer) received an Emmy nomination for Best Cinematography for his work on HBO's In Memoriam: 9/11 New York City. Specializing in documentary features, his credits include the Academy Award- winning film Maya Lin: A Strong Clear Vision, the 2003 Emmy Award winner for Best Science Documentary The Secret Life of the Brain, and the Columbia Peabody award recipient Faith and Doubt at Ground Zero. He photographed the Academy Award-nominated Why Can't We Be a Family Again? and is currently working on a project for the acclaimed PBS documentary series Frontline.
Alexis Weiss (Production Designer) was the Art Director on two episodes of the TV series The Burg and served as Set Decorator on the series Splurge and Sam and The Ultimate Color Guide. She began her career working as Prop Master on The Treatment, The Visitor, Capers and The Untitled Nicole Holofcener Project.
Bob Jorissen (Editor) has been honored with an Emmy Award and two BDA Gold Awards and has extensive documentary and independent feature credits. Recent theatrical releases include The Simian Line, starring Harry Connick, Jr., and two films he co-edited with director Heather MacDonald: Been Rich All My Life and Ballot Measure 9, which received an Audience Award at Sundance and won a Teddy at the Berlin Film Festival. He recently completed the second in a series of documentaries by director Michael Apted, Married in America, and has an impressive list of PBS credits, including Dialogue with the Dalai Lama and an acclaimed series he created with producer Robert Byrd, The Diary Series for KTCA, the PBS station in Minneapolis/St. Paul.
Kazzrie Jaxen (Composer) is a prolific jazz pianist and recording artist who has performed throughout the United States and Europe, both as solo artist and with her jazz duos and trios. Her latest album is Prayers and Mad Laughter. She won the 2006 Digit Festival Award for Best Musical Work for her innovative outdoor performance, Roebling Resonance, and has recorded extensively on the New Artists and Jazz Records labels. She has created two one-woman shows, Kazzrie in Boogie and Blue and Changing Keys.